Cinemalaya returns to the PICC this August

With the Main Building of the Cultural Center of the Philippines undergoing rehabilitation, Cinemalaya has now found a temporary home in the Philippine International Convention Center. The 19th edition of the pre-eminent Philippine Independent Film Festival will once again feature films that continue to push the boundaries of local cinema.

The PICC is no stranger to film festivals, having hosted the Manila International Film Festival during the 1980s.

“If we look at the history of the convention center, PICC is quite conducive for film screenings,” says CCP President Margie Moran-Floirendo. “We hope to retain the unique community spirit of the festival.

For its 10-day run from August 4 to 13, the competing films will be screened at three meeting rooms, Cinema Rizal (Meeting Room 1), Cinema Bonifacio (Meeting Room 2 and 3), and Cinema Felipe (Meeting Room 4). Fringe events and talkbacks will be held at Cinema Palma (Meeting Room 5). The exhibitions and filmmakers’ profiles will be on display at the Executive Lounge.

Following the theme “ilumiNasyon,” the country’s pioneering independent film festival returns with 10 full-lengths and 10 short films in competition, as well as other components that will secure a space for independent filmmakers to tell their stories and share their perspectives on the issues that shape our times, while capturing the audience’s imagination.

This year’s full-length films include: ANG DUYAN NG MAGITING (THE CRADLE OF THE BRAVE) by Dustin Celestino; AS IF IT'S TRUE by John Rogers; BULAWAN NGA USA (GOLDEN DEER) by Kenneth De la Cruz; GITLING by Jopy Arnaldo; HULING PALABAS (FIN) by Ryan Espinosa Machado; ITI MAPUKPUKAW (THE MISSING) by Carl Joseph E. Papa; MARIA by She Andes; ROOKIE by Samantha Lee and Natts Jadaone; TETHER by Gian Arre; and WHEN THIS IS ALL OVER by Kevin Mayuga.

Short films in competition include: ANG KINING BINALAYBAY KAG AMBAHANON KO PARA SA IMO (THESE RHYMES AND RHYTHMS MEANT FOR YOU) By Kent John D. Desamparado; GOLDEN BELLS By Kurt Soberano; HINAKDAL (CONDEMNED) By Arvin Belarmino; HM HM MHM By Sam Villa-Real And Kim Timan; KOKURYO: THE UNTOLD STORY OF BB. UNDAS 2019 By Diokko Manuel Dionisio; MAKOKO SA BAYBAY (I AM GOING TO THE BEACH) By Mike Cabarles; MAUDI NGA ARAPAAP (LAST DREAM) By Daniel Magayon; SIBUYAS NI PERFECTO (PERFECTO’S ONION) By Januar Yap; SOTA (HORSE CARETAKER) by Mae Tanagon; and TONG ADLAW NGA NAG-SNOW SA PINAS (THE DAY IT SNOWED IN THE PHILIPPINES) by Joshua Caesar Medroso.

Fans of Cinemalaya will continue to enjoy the festival’s mainstays such as Retrospective, a look back at winning films of past editions; Best of the Festivals, which showcases the best films from local festivals; Visions of Asia, featuring award-winning Asian and Netpac films; Premieres, featuring never-before-screened films; and Dokyu, which screens award-winning documentaries.

The Gawad CCP Para sa Alternatibong Pelikula at Video, considered the longest-running independent film competition of its kind in the ASEAN region, will once again see the best of the best, with films competing in various categories such as Short Feature/Narrative, Experimental, Documentary and Animation. Pre-selected entries will be screened on August 5 to 7, at the CCP Tanghalang Ignacio B. Gimenez (CCP Blackbox Theater) with the awarding on August 12. 

The Cinemalaya Philippine Independent Film Festival has pushed the boundaries for creative expression in the last 19 years by avidly propping up artistic integrity and illuminating the Filipino filmamakers’ visions of nationhood.

Since 2005, Cinemalaya has continued to discover, encourage and support the cinematic works of upcoming and veteran Filipino filmmakers who boldly articulate and freely interpret the Philippine experience with fresh insight and artistic integrity.

To date, Cinemalaya has supported and promoted the production of Filipino full feature independent films and short films. Many of these films have won awards in local and international competitions and festivals. Through the annual festival, Cinemalaya has showcased over 1,000 works by independent filmmakers including full feature films, shorts, documentaries, Filipino film classics, and art films.

For more information, visit CCP website (www.culturalcenter.gov.ph) and Cinemalaya website (www.cinemalaya.org). Follow the official CCP and Cinemalaya Facebook pages and other social media accounts in Twitter, Instagram and Tiktok. By Dexter R. Matilla